Robin Hood, le prince des voleurs Tome I (1)



АНГИЛАЛ
Fiction
ХУДАЛДААНД
2022
Наймдугаар сар 4
БҮТЭЭЛИЙН ХЭЛ
FRE
Франц
ISBN-13
1387913570005

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Дээрх бүтээлийг авсан хэрэглэгчид ихэвчлэн эдгээрийг хамтад нь авдаг.

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Танилцуулга

Robin Hood, le prince des voleurs (Tome I) (+Biographie et Bibliographie) (Matte Cover Finish): De cape et d'épée ? Non. Messire Robin est le plus grand archer du comté de Nottingham. Un proscrit toutefois. Un coureur de bois que sa fougue entraîne parfois vers un destin contraire. Délivrer Christabel retenue prisonnière par son père, lord Fitz-Alwin... L'aider à fuir avec le chevalier Allan Clare... Robin des Bois peut-il servir plus noble cause ? Entre les soldats du château et l'intrépide hors-la-loi, le combat est sans merci... De guet-apens en traquenards, de cachots en souterrains... Meurtres, incendies, clameurs guerrières sèment la violence partout dans la forêt de Sherwood. Mais Robin n'épargne ni ses forces ni son intelligence pour réunir les amants traqués. Et lui, le séducteur qui se rit de tout, n'est-il pas amoureux ? De la sœur d'Allan, bien sûr ! La belle Marianne. Mais peut-il prétendre à sa main ? L'aventure sied aux âmes bien nées et leur réserve parfois bien des surprises...


Үзүүлэлт

ISBN-131387913570005
Худалдаанд гарсан огноо2022-08-04
ФорматЦахим ном
Бүтээлийн хэлФранц

Зохиолчийн талаар

Alexandre Dumas (UK: /ˈdjuːmɑː, dʊˈmɑː/, US: /duːˈmɑː/; French: [alɛksɑ̃dʁ dymɑ]; born Dumas Davy de la Pailleterie ([dymɑ davi də la pajət(ə)ʁi]), 24 July 1802 – 5 December 1870),[1][2] also known as Alexandre Dumas père (where père is French for 'father', to distinguish him from his son Alexandre Dumas fils), was a French writer. His works have been translated into many languages and he is one of the most widely read French authors. Many of his historical novels of high adventure were originally published as serials, including The Count of Monte Cristo, The Three Musketeers, Twenty Years After and The Vicomte of Bragelonne: Ten Years Later. His novels have been adapted since the early twentieth century into nearly 200 films.

Prolific in several genres, Dumas began his career by writing plays, which were successfully produced from the first. He also wrote numerous magazine articles and travel books; his published works totalled 100,000 pages.[3] In the 1840s, Dumas founded the Théâtre Historique in Paris.

His father, General Thomas-Alexandre Dumas Davy de la Pailleterie, was born in the French colony of Saint-Domingue (present-day Haiti) to Alexandre Antoine Davy de la Pailleterie, a French nobleman, and Marie-Cessette Dumas, an African slave.[4][5] At age 14, Thomas-Alexandre was taken by his father to France, where he was educated in a military academy and entered the military for what became an illustrious career.

Dumas's father's aristocratic rank helped young Alexandre acquire work with Louis-Philippe, Duke of Orléans, then as a writer, a career which led to early success. Decades later, after the election of Louis-Napoléon Bonaparte in 1851, Dumas fell from favour and left France for Belgium, where he stayed for several years, then moved to Russia for a few years before going to Italy. In 1861, he founded and published the newspaper L'Indépendent, which supported Italian unification, before returning to Paris in 1864.

Though married, in the tradition of Frenchmen of higher social class, Dumas had numerous affairs (allegedly as many as 40). He was known to have had at least four illegitimate children, although twentieth-century scholars believe it was seven. He acknowledged and assisted his son, Alexandre Dumas, to become a successful novelist and playwright. They are known as Alexandre Dumas père ('father') and Alexandre Dumas fils ('son'). Among his affairs, in 1866, Dumas had one with Adah Isaacs Menken, an American actress who was less than half his age and at the height of her career.

The English playwright Watts Phillips, who knew Dumas in his later life, described him as "the most generous, large-hearted being in the world. He also was the most delightfully amusing and egotistical creature on the face of the earth. His tongue was like a windmill – once set in motion, you never knew when he would stop, especially if the theme was himself.


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